Artist Thomas Eakins in 1882

Monday, January 9, 2012

Write a report on Thomas Eakins

ILT students,
Taking the full period, write a report on Thomas. Use the information and images in this blog for your report. Click on "comments" and write your report as a comment. Please write your name at the top. You might watch the crew race and describe it as a way to understand Thomas's fascination and admiration of rowers.

Overview

Thomas Cowperthwait Eakins (July 25, 1844 – June 25, 1916) was an American realist painter, photographer[2], sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history.
For the length of his professional career, from the early 1870s until his health began to fail some 40 years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries.

Thomas growing up...

He was an athletic child who enjoyed rowing, ice skating, swimming, wrestling, sailing, and gymnastics—activities he later painted and encouraged in his students. Eakins attended Central High School, the premier public school for applied science and arts in the city, where he excelled in mechanical drawing. He studied drawing and anatomy at the Pennsylvania Academy of the Fine Arts beginning in 1861, and attended courses in anatomy and dissection at Jefferson Medical College from 1864-65. For a while, he followed his father's profession and was listed in city directories as a "writing teacher".[8] His scientific interest in the human body led him to consider becoming a surgeon.[9] Eakins then studied art in Europe from 1866 to 1870, notably in Paris.

Thomas Eakins's rowing paintings

Eakins's first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city".[17] Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.
Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water.[18] Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before.